Who we are
The Hadley brothers have worked on creative projects together all their lives, so they make a dependable team. Over the years both brothers have pursued independent careers in the film and TV industries but still come together to make great content for their favourite charities , artists and musicians. After all, if you can still work together after forty five years you must be doing something right.
TOM
Director / Editor
Tom has directed and edited for a vast variety of charity, broadcast and corporate clients.
Keen on well-crafted narrative, great sound design and eye-catching content, his work is distinctive and in demand for short and long-form factual filmmaking.
Clients Include
Amnesty International, NHS, VSO, BBC, ITV, Channel 4, Channel 5, Crisis, Picture Box, Sony, Universal Music, Red Bull, Scope, Save the Children, Placebo, Love Football, Foreign and Commonwealth Office, World Wildlife Fund, Heart n Soul, Gramma Film, IHG, Pottermore, Jean-Michel-Jarre, World Health Organisation, Youtube, Santander, HSBC, Curtis Brown, Prodigious, Saatchi, Hogarth and Ogilvy, Media Zoo, MTV, Maverick and Viacom.
Tom’s work as an editor www.tomhadley.co.uk
MALCOLM
Cinematographer / Director of Photography
Since his art school days Malcolm has worked extensively in the film TV and animation industries, becoming one of the few ‘go to’ stop motion commercials and features Cameramen in the UK, shooting on Wes Anderson’s Isle of Dogs, both of Tim Burton’s last two stop motion feature films and a recent stint on Chicken Run 2.
More recently he’s been focusing on live-action feature projects and continues to shoot commercials for major brands including Macy’s, John Lewis, Sainsbury's, Loewe, Sipsmith, Standard Chartered Bank, O2, Samsung and Corona beer.
Clients include
Nexus Studios, Academy Films, Blinkink, Passion Pictures, RSA, Walt Disney Pictures, Netflix, Warner Brothers Pictures, Dreamworks, Aardman Animation, Famous Flying Films.
Visit Malcolm’s cinematography site
How we work
We don’t have a set rate card because we know that we need to be flexible and tailor what we can provide to what you have in the pot. We’ll use what budget you have very creatively and our many years of experience will maximize the quality of the final product.
Being able to both shoot and edit means immediate familiarity with the content, where it is and how it looks, this saves precious time in post-production. We can edit in our Premiere Pro or AVID suite and deliver rough cuts, mixes and graded versions for your approval prior to sign off.
Call us for a quotation or use our contact form to get in touch.